Being Eddie Review: Sycophantic Portrait Of Eddie Murphy Is Too Self-Congratulatory To Be Interesting

Being Eddie Review: A Self-Congratulatory Portrait of Eddie Murphy

The documentary Being Eddie attempts to explore the life and legacy of Eddie Murphy but ends up revealing a core contradiction—Murphy’s reluctance to truly open up—turning the film into an act of idolization rather than introspection.

An Adulatory Portrait

Directed by Angus Wall, the film functions more as an extended promotional piece than an authentic portrayal. It highlights Murphy’s remarkable impact on comedy while conveniently omitting aspects that might challenge his carefully maintained public persona.

Contracts and Context

This is Murphy’s fifth collaboration with Netflix since Dolemite Is My Name (2019). Around that period, he reportedly signed a $70 million deal with the platform to develop new stand-up material, his first since 1987’s Raw. Given this business backdrop, the documentary’s purpose feels more like brand maintenance than creative exploration.

Surface Depth

The title, Being Eddie, promises intimacy but delivers little beyond a collection of talking-head interviews—chiefly Murphy himself and his circle of friends—layered with excessive admiration instead of genuine insight.

Praise Among Peers

Even with the film’s shallow approach, Murphy’s legendary influence on comedy remains undeniable. Fellow Netflix star Dave Chappelle likens their dynamic by saying he is the LeBron James to Murphy’s Michael Jordan.

“He changed the world,”

— Critic Elvis Mitchell, comparing Murphy’s cultural impact alongside Michael Jackson, Prince, and Whitney Houston.

From SNL to Stardom

Murphy’s rise was meteoric. He joined Saturday Night Live at just 19 years old and swiftly transitioned into film fame with his breakout role in 48 Hrs.

Author’s Summary

The film Being Eddie presents a glossy, hero-worshipping vision of Eddie Murphy, prioritizing celebration over depth and leaving audiences with more applause than revelation.

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Screen Rant Screen Rant — 2025-11-12